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ProgDay is pleased to announce the performance of the instrumental incarnation of BARRY CLEVELAND'S HOLOGRAMATRON. Sporting an all-star lineup, the quartet's music is largely improvisational, drawing on songs from the album "Hologramatron," while also allowing for absolute spontaneity. The band's sound has been variously described as art rock, progressive rock, avant-rock and psychedelia. BARRY CLEVELAND: Cleveland released his first commercial album on Larry Fast's Audion Recording Company label in 1986. Since then he has released a series of critically acclaimed recordings with musicians like Michael Manring, Dan Reiter, Michael Pluznick, Robert Powell and Michael Masley. Cleveland is also an accomplished journalist, writing for Mix, Electronic Musician and Onstage magazines, and is an associate editor for Guitar Player magazine. MICHAEL MANRING: Hailed by many as the world's leading solo bassist, Manring has built on the conceptions of his teacher, the late bass legend Jaco Pastorius, to develop a new approach to the instrument that includes unorthodox tunings, techniques and methodologies. In addition to his solo pursuits, Manring has played on hundreds of recordings with a diversity of musicians including Michael Hedges, Suzanne Ciani, Scott McGill, Henry Kaiser, Tim Alexander (Primus) and Thomas Dolby. He has garnered two gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player magazine Reader's Poll awards including 1994 Bassist of the Year. ROBERT POWELL: Playing all manner of guitars, as well as a variety of other stringed and not-so-stringed instruments, Powell specializes in his distinctive approach to the pedal-steel guitar. He has worked with a wide range of artists that include Peter Gabriel, Jackson Browne, Ustad Salamat Ali Khan, Airto Moreira, Kingfish and John Lee Hooker. Powell has also scored numerous award-winning films like "Texas Gold," "Counting Sheep" and "El Dorado." CELSO ALBERTI: Born in Brazil, the driving rhythms of his country’s music led him to develop an early interest in the drums and by the age of 17 he was performing regularly as a professional. Since then he has played with Terra Sul, Batucaje, Airto Moreira and Flora Purim, Herbie Mann, Kit Walker (Kitaro, Airto), Frank Martin (Narada Michael Walden), Steve Winwood and many others. Back To Top Scale The Summit Though boasting an average age of only 22, SCALE THE SUMMIT has already cemented its position as a band pushing heavy progressive and prog metal into new directions. Formed in 2004, this instrumental quartet established its base in Houston, Texas, where it recorded "Monuments," its self-released debut. The album garnered international attention with magazines like Kerrang, Rock Sound and Amp heaping praise upon the band. This growing recognition led to SCALE THE SUMMIT signing with Prosthetic Records in 2008. Its second album, "Carving Desert Canyons," was considered to be one of the most anticipated "heavy" releases of 2009 and was lauded for the uniqueness of it's music, the maturity of the writing and the amazing skill of it's execution. Shortly after the album's release, SCALE THE SUMMIT was invited to participate in Dream Theater's annual Progressive Nation summer tour where the band continued to garner new fans on a nightly basis. Often compared to bands like Liquid Tension Experiment, Cynic, Planet X, King Crimson, Spaced Out and Canvas Solaris, ProgDay is very pleased to bring the cutting-edge music of SCALE THE SUMMIT to Storybook Farm. Back To Top Shadow Circus For 15 years guitarist JOHN FONTANA played in numerous bands on the NYC music scene. Then he set out to create music on his own that recalled his progressive rock roots. During the process he met four other musicians who enthusiastically embraced the developing music, and SHADOW CIRCUS was born. Often inspired by literary works from the likes of Ray Bradbury and Stephen King, the music of SHADOW CIRCUS pulls from the progressive past, yet is firmly anchored in today. The symphonic label with which their recordings are usually categorized only serves to indicate a small portion of SHADOW CIRCUS's diversity of musical exploration. Epic tracks, ballads, theatrical presentations, in-your-face rockers and everything in between are all delivered with impeccable musicianship and style. While bands like SPOCK'S BEARD, STYX, THE TANGENT and CRACK THE SKY are sometimes used to reference their sound, SHADOW CIRCUS's personal mix of adventurousness, accessibility, drama and fun carves out its own place in the world of modern prog. Back To Top Flash In 1971, COLIN CARTER, formerly lead singer with PETER BARDEN'S CAMEL, initiated an idea with PETER BANKS, recently the first ex-YES guitarist, to form a new band. Musician RAY BENNETT had previously met Banks while staying with BILL BRUFORD, Bennett's former bandmate from THE BREED. Recently returned to London, Bennett arrived right on time to fill the bass spot. MIKE HOUGH, a hard working drummer with a jazz, rock and big band background, was discovered by Carter and Banks playing in a ballroom in London. Together they formed FLASH. In the early 70s FLASH put out three albums on EMI/Capitol Records, had the hit single "Small Beginnings" (#28 Billboard), and toured Europe and the USA four times. They even made it to Australia. But after two and a half years, FLASH disbanded. All four members later reunited in various combinations during the late 70's and early 80's. But by 1982 the FLASH members had gone their separate ways. In 2002 all four original members made contact again and were initially enthusiastic about a FLASH reunion. Now spread out across the globe, plans to get together were discussed over several months. However, in the end, Banks and Hough failed to commit. In late 2004 it was FLASH songwriters Ray Bennett and Colin Carter who began working together again. They discovered that the old chemistry was still there and in 2005 they officially re-launched their musical partnership as FLASH. 2009 saw the almost miraculous resurrection of the fully realized FLASH. Gibson Guitars listed FLASH's "In the Can" as one of their top 10 vintage classic prog-rock albums. Also in 2009, all of their albums were reissued. Now, with a spectacular new 5 piece line-up and a studio album of new material in the works, these prog-rock pioneers set sail again with renewed vigor and their hallmark originality, ready to continue their saga. Advance copies of the new album should be available in September at Progday. Back To Top Mars Hollow MARS HOLLOW is a prog band from Southern California that's created quite a stir with their debut release "Mars Hollow." Released by 10T Records earlier this year, listeners and critics alike have lauded the album as one of the best symphonic albums of the year. Beginning with a foundation of early bands like ELP, Yes and Genesis, MARS HOLLOW mixes it up with later bands like Spock's Beard, and then finishes with a fresh contemporary twist to create melodic hook-driven progressive rock delivered with a flourish of expert musicianship. With just the right balance of old and new, this is a show that fans of symphonic rock won't want to miss! Back To Top Tickets Now On Sale. Weekend and Patron Passes for ProgDay 2010 are now on sale. They may be purchased via credit card using Pay Pal buttons on the "Tickets" page of the ProgDay web site or by mailing a personal check. Tickets will be available for advance sale through August 15th. The number of advance Passes is limited due to the size of our back-up bad weather venue, so if you are planning on coming to ProgDay, get yours early. Single day passes will only be available at the gate on the day of the show subject to availability. The Muffins THE MUFFINS is one of those amazing bands that you used to hear about from the 1970s...after it had disbanded. Formed in 1973, the band released it's first official album, "Manna/Mirage," in 1978. This would later be hailed as one of the best all-time American prog releases from the 70s and an essential release for any progressive music collection. But while the band developed a cult following on the US east coast, notoriety on a larger scale was elusive. Despite continuing to create excellent music and working with artists like Fred Frith (the band backed Frith on his 1980 album "Gravity"), THE MUFFINS played it's last show of the period in 1981 and broke up soon afterwards. However, the legend of THE MUFFINS continued to grow long after its demise and in 1998 the progressive music scene was given a reprieve when the original members decided that they still had something to say and reformed. Unlike many other "reunions," THE MUFFINS really DID still have something to say and the band started writing and playing music again like they had never taken a 17 year vacation. This culminated in the release of a new critically acclaimed studio album, "Bandwidth," in 2001. Since then the band has continued to record and perform, appearing at ProgDay in 2001 and 2002, and at NEARfest in 2005. We are very happy to host the return of THE MUFFINS to the Storybook Farm stage. Back To Top Half Past Four Hailing from Toronto, Canada, HALF PAST FOUR have been creating a lot of buzz since the release of their debut, "Rabbit In The Vestibule." While acknowledging their debt to the progressive music of the past, HALF PAST FOUR are a thoroughly modern band that take the origins and influences of their sound and mix them with ingredients not usually associated with progressive rock. The result is music that is undeniably progressive, yet cloaked in the accessibility of well-crafted songs. HALF PAST FOUR's secret weapon is the amazing voice of Kyree Vibrant. Her performances sidestep the conventions of most vocalists and offer an original, fresh approach full of whimsy, drama and force. Combined with the top-shelf musicianship of the band, compositions complex enough to satisfy hard core prog fans, infectious hooks and melodies, and a sense of humor and playfulness, HALF PAST FOUR are one of the best and most interesting bands to hit the progressive rock scene in some time. Back To Top Mahogany Frog ProgDay is pleased to present Canadian proggers MAHOGANY FROG as our first band announcement for 2010. MAHOGANY FROG was formed in 1998 when GRAHAM EPP (guitar, keyboards, trumpet) and JESSE WARKENTIN (guitar, keyboards) joined forces with NATHAN LOWEWEN (bass). With a shared interest in loud, psychedelic/experimental music, MAHOGANY FROG began to explore the basis of their sound and often coordinated functions at various halls, venues and cafes that created intense atmospheres with the use of film projection, interactive installations, performance art and an uninhibited spectrum of music. Their first album was released in 2001. Since then the band has released four other recordings of their genre-defying mix of psyche, prog, jazz and electronica, and has continued to expand their musical direction and outlook. "Do5," the band's most recent release, has been hailed as their most complex and eclectic release to date. The music of MAHOGANY FROG can be both challenging and soothing to the listener: stabbing riffs using unusual notes and time signatures often dissolve into lush electro-soundscapes, and straightforward, rhythmic interludes can merely lay the foundation for syncopated counter-melodies or sound effects. The orchestration of the instruments are unorthodox at times: using complex modal progressions or phrases as a basis for experimentations in arrangement, the rhythm and lead sections trade roles quickly and often. Considered to be one of the best bands to come out of Canada in recent years, ProgDay is happy to host their first festival appearance in the United States. Back To Top ProgDay 2010 in the works! Plans for the 16th edition of ProgDay are well underway. Please check back soon for our first band announcement for 2010. Back To Top |
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